
Meetings, greetings, and gifts.
A wild adventure,
into seas unknown
The weather might be rough.
Hold on, it’s all up to the captain.
- Back Again (Again)
- On The Blog
- Photo 365
- The Ministry Of My Own Labour
- Terminal Access
- Dipping the Stacks
- Reading
- Music
- Remember Kids:
Back Again (Again)
Another week’s weeknotes coming to you on a Tuesday evening. An irregular occurrence that has been happening quite regularly in the last few weeks. I’ve been sick, and I’ve also been abroad. Also, I absolutely knew this was going to happen and this would get posted well passed Sunday.
When I was at City Airport last Tuesday, just before I flew to Berlin for three nights, wrote ‘!!WEEKNOTES!!’ in my bullet journal.
I saw this sign not long after arriving in the city.

The trip meanwhile, was successful (I think). I had a bunch of dinners conversations, coffees and meetings. I spent an afternoon with talking to a really cool startup. Then I went to see Mat and Holly’s Starmirror as last month when they showed me around it was still being installed. I also picked up their book ‘All Media is Training Data’. Obviously is pirated their exhibition as a gaussian splat too. lol.

I also spent an entire day down in the countryside at the facilities of a startup that is making dry composting toilets for municipalities, national parks, and festivals. It was absolutely fascinating, a really interesting day listening to the challenges of building a small scale manufacturing business. And also hearing about the regulatory environment in Germany and the EU around composting human waste — and the scientific studies they are involved in with their ‘night soil’.

It was extremely busy and basically non-stop. And then the weekend was somewhat of a write-off, a friends birthday lunch and then after my shocking cold that I had before I went, that I kept at bay with Lemsips whilst I was abroad. It came back hard and demanded it run out its course.
Yesterday of course was the first day of the new week, and I was getting back into the swing of things. Insane how much e-mail builds up over 7 days.
Right now, I actually only have two weeks left of my ‘year’ before Eve and I are supposed to be going to Sri Lanka on holiday. A trip of a lifetime that is currently in superposition due to the cyclone and the floods. So we are giving ourselves a moment to see how things are unfolding before we make a decision, and start investigating cancellations and our travel insurance etc. Or go ahead. Doesn’t look like we are going to be taking the train (One of the reasons we were going)
Anyways, because of the half month I was hoping, and planning, to get two big pieces of work and writing out before the end of the year. I wanted to publish Episode 302 of Permanently Moved, and set up pre-orders for the zine, and also publish the book I have been writing all year on the ontology of media. It’s about the Information Age Iconoclasm. Called SLOP MACHINES OF LOVING GRACE.
But there is just still so much left to do. Meetings in town, work and social commitments between now and when we leave… So I am not sure that either are going to get done.
I think perhaps I will try and finish the book and get that out on my return first thing 2026. And then towards the end of January, Episode 302 of Permanently Moved.
So I thought to myself the other day that “One does not need to believe in ghosts to live in a haunted house.” and posted it to bluesky. And Colin Walker replied “One does not need to live in a haunted house to believe in ghosts.” Which I thought was rather good.
So I wrote this double poem.
One does not need to believe in ghosts to live in a haunted house.
A place can hold a story
without your consent.
You move through it;
the residue remains.
Belief is optional.
It’s influence is not.
One does not need to live in a haunted house to believe in ghosts.
A story can attach itself anywhere
even without your giving it ground.
It travels with you;
location is irrelevant.
A house is not required.
Yet the haunting persists.
On The Blog
BYENNE is nearly finished! Only 5 days to go now! The half year long project of getting some of my thoughts out about the concept of Storydwelling is coming to an end. In the new year I’d like to do a physical print run via pre-order and the release them all as an ebook.
If you dwell inside
long enough.
You will come to think
it was always yours.
Start Select Reset 📑
Subscribing to SSRZ supports my online writing, podcasts, and other creative projects.
As a thank you, I’ll post a hand-made zine four times a year, just like it’s 1994.
No spam. No email. Just ink on paper, four times a year.
Photo 365

The Ministry Of My Own Labour
- Berlin!
- Multiple meetings
- Dinners
- Site Visit
- Discussions, Dinners and Dreams.
- Recovering, had a shocking cold the whole time!
Terminal Access
If you read one thing this week from my blog. Read this long read on NATO readiness and Drone warfare in Ukraine.
The most interested in the drones was a Czech instructor, Jakub (name changed), a veteran of peacekeeping missions in Afghanistan. Together with the Eighteenth, they decided to conduct an exercise: Czech paratroopers would assault Ukrainian positions, and the Ukrainians would fight back using Mavics.
“After the very first assault actions, he comes up to me and says, ‘Listen, can we remove the Maviks?'” the major recalls of that conversation. “Why, Yakub?”
“You can spot us with your ‘mavics’ instantly, we can’t even get close.”
“Jakub, unfortunately, we are preparing for a real war,” I told him.
Dipping the Stacks
In the AI boom, not all capex is created equal
That should bring closer attention to which companies are building the most cost-effective AI infrastructure, and which have sustainable pricing power. Google and Microsoft both registered stronger profit margins than Wall Street had expected in the latest quarter, while Meta’s operating margin dropped by three percentage points, to 40 per cent.
The End of Cloud Inference [Gdoc]
The core idea is simple: put the thinking (compute) as close as possible to the data and the person using it.
How the climate conversation went punk
The imaginations of our future have become increasingly bleak, and more so with the advent of artificial intelligence (AI). Conversations today muse about AI bots replacing humans and wars over basic needs like water. Morbid as it may sound, cinema and literature have long captured these anxietie
Only 0.04% of America’s freshwater in 2023 was consumed inside data centers themselves. This is 3% of the water consumed by the American golf industry.
NASA’s Orion Space Capsule Is Flaming Garbage
Orion is far too expensive, too slow, too heavy, fundamentally flawed, unsafe, unfit for purpose. I’m calling it. Success is no longer in the set of possible outcomes, and hasn’t been for well over a decade. Let’s stop pretending.
Reading
I finished Elitism: A Progressive Defence by Eliane Glaser on the plane to Berlin on Tuesday. A very good book. Also in retrospect, a very brave book to write and publish in 2020 given the cultural environment at the time.
On the way home I was reading Antimemetics: Why Some Ideas Resist Spreading by Nadia Asparouhova. It’s a very eerie book to be reading as its a summery of some of the ideas that have clearly been incubating in/across the same milieu as me. Perhaps we are only one group chat removed?
Still plugging away at Marguerite Porete: The Mirror of Simple Souls. The introductuary essay and analysis I think, is longer than the main text. Haven’t got to it yet. I’m also still listening to Mighty Dead: Why Homer Matters by Adam Nicolson. But I haven’t had any time really to press play.
Music
Emahoy Tsege Mariam Gebru – Souvenirs
The Bandcamp descriptions says it all:
“Crows of the sky, please tell me What is found above the clouds?
-Emahoy Tsege Mariam Gebru, “Tell Me”
The first vocal album by beloved Ethiopian nun, composer, and pianist Emahoy Tsege Mariam Gebru – profound and deeply moving home cassette recordings made amidst political upheaval and turmoil.
These are songs of wisdom, loss, mourning, and exile, sung directly into a boombox and accompanied by Emahoy’s unmistakable piano. Though written and recorded while still living at her family’s home in Addis Ababa, Emahoy sings of the heartache of leaving her beloved Ethiopia, a reflection on the 1974 revolution and ensuing Red Terror in her homeland, and a presentiment of her future exile in Jerusalem.
In the 21st century, Emahoy has become known worldwide for her utterly unique melodic and rhythmic style. Commonly misinterpreted as “jazzy” or “honky tonk,” Emahoy’s music actually comes from a deep engagement with the Western classical tradition, mixed with her background in Ethiopian traditional and Orthodox music.
Remember Kids:
The Hacker’s work manifests as a magic trick with minimum viable showmanship. Meaning is thin
Emissary’s Guide to Worlding by Ian Cheng
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